Since Salzburg she has made a number of important role and house debuts including: Konstanze Die Entführung aus dem Serail (Komische Oper Berlin), Adina L’elisir d’amore (Semperoper Dresden), Leïla The Pearl Fishers (ENO), Tytania A Midsummer Night’s Dream (Teatro dell’Opera di Roma) and Lucia Lucia di Lammermoor (Danish National Opera). She received particular critical praise for her company debut with ENO as Mabel in Mike Leigh’s production of The Pirates of Penzance.

Other engagements include: May-Shan in Christian Jost’s Rote Laterne (house debut at Opernhaus Zürich); Edinburgh International Festival debut in world premiere of Donnacha Dennehy’s The Last Hotel; Dede A Quiet Place  (Orchestre symphonique de Montréal). She has appeared with the ROH as Cecily Cardew The Importance of Being Earnest in performances at the Barbican Theatre, London, and on tour at the Rose Theater, New York with the New York Philharmonic. She has performed the role of Alice in Barry’s Alice’s Adventures Under Ground (RTÉ Concert Orchestra), and she returned to Zurich last season as Helena in Trojahn’s Orest.